7 mai 2020

Dune Free Online 1080i(hd) For Free DVDRIP DVD5 Without Sign Up

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summary: In the distant year of 10191, all the planets of the known Universe are under the control of Padishah Emperor Shaddam IV and the most important commodity in the Universe is a substance called the spice "MELANGE" which is said to have the power of extending life, expanding the consciousness and even to "fold space" ; being able to travel to any distance without physically moving. This spice "MELANGE" is said to only be produced in the desert planet of Arrakis, where the FREMEN people have the prophecy of a man who will lead them to true freedom. This "desert planet"of Arrakis is also known as DUNE. A secret report of the space "GUILD" talks about some circumstances and plans that could jeopardize the production of "SPICE" with four planets involved: ARRAKIS, CALADAN, GIEDI PRIME and KAITAIN, a world at least visually very alike to Earth and house of the Emperor of the known Universe. The "GUILD" sends a third stage navigator to KAITAIN to ask details from the Emperor and to demand him the killing of young Paul Atreides, son of the Duke Leto Atreides of CALADAN.
Rating: 7,1 / 10.
Release Year: 1984.
Dune Free Online 1080i(hd) For Free DVDRIP DVD5 Without Sign Up MV5BYTAzYzNlMDMtMGRjYS00M2UxLTk0MmEtYmE4YWZiYmEwOTIwL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_UY190_CR0,0,128,190_AL_ .
writer: Frank Herbert, David Lynch

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Dune should have been more fun; more enjoyable and smarter than it actually was. Additionally, it might have been easier to follow but for the annoyingly consistent voice-over work which features the constant use of words and terms, spoken in hushed and annoying whispered tones, that only those invariably well informed with Frank Herbert’s ‘Dune’ will even begin to understand. What the film ends up being is a cocktail of science-fiction, horror, revenge and self-discovery played out amidst a sea of stars, planets and gross-out visuals that force me to label Dune one of the films with some of the most misguided material I’ve ever seen. A case of fluffy but nonsense voice-overs one minute, harmless space travel the next and then a disgusting scene about ‘heart plugs. To think, we go through all this before having the film boil down to a drab knife fight between good and evil.
Yes, Dune’s a mess but it’s one that puts us through a blender of varied emotions; even if I’m not sure I wanted to experience the majority of them. The film is, predominantly, a story about one man being established as someone rather important before a tragedy befalls him and he is whisked away to another lifestyle, having to re-establish as an individual, both to himself and those new around him, in the process. Eventually, that character we follow will become the leader of a small band of people he’ll lead to supposed victory; he is the holy leader ancient texts predicted and a glorious warrior at times of need. To some, this’ll sound quite daft but to others it works very effectively as the classic escapist fantasy: focusing on a lowly, but capable of extraordinary things, ranked in terms of word-of-mouth male being whisked out of his ‘normal’ life and plunged into a mission of great importance. Two examples of varying quality produced since Dune might be 1994′s Stargate and 2006′s Children of Men, both of which feature relatively hapless and unsuccessful males of varying degrees burdened with missions linked to saving an entire population under an umbrella of a world thats float in and out of both science-fiction and horror.
It’s a shame Dune wasn’t as good as it could’ve been. You can most definitely see why some may like it; its appeal of a broad and escapist world in which stars, planets, adventure and different sorts of species exist is one that was booming at the time of Dune’s release given the success of Star Wars plus-sequels. But Dune feels laboured compared to those films and it feels inconsistent in its tone enough to turn off its audience. The lead of the film is Paul Atreides (MacLachlan) a young man and son to a very important Duke named Leto Atreides (Prochnow) residing on the planet of Caladan. Very early on, and in clear cut contribution to Dune’s wavered feel, Paul is put through a series of tests to do with pain, commitment and some sort of reaction to possible imminent death. Some of the scenes, particularly when he must place his hands in a mysterious box and take whatever’s in there, are quite torturous in their execution. For all his supposed importance in the hierarchy, they certainly make life hard for him.
But it’s a test, and following this, a plot involving several clans from neighbouring planets arises to do with destroying the Atreides family from which the idea to kill Paul is born. All this and the increasing tension between everyone linked to the planet of Arakis, a lonely desert planet on which an element known as ‘The Spice’ is found; a vital ingredient for life and space travel – without it, most things are useless. The film, in a sense, reminded me of Ridley Scott’s 2000 effort ‘Gladiator’ if only in structure. The idea that a relatively important individual must begin again after a family bereavement, gain the trust of a group of people and lead them to glorious victory while vanquishing his own enemies.
But there is no battle weary Russell Crowe having his family killed before becoming a slave, a gladiator and then an avenger happening here, although that it what Dune essentially is but for its more bizarre inclusions. With this, we get a lot of fancy images and a bizarre emphasis on the visual as Paul dreams what he is supposedly destined to be. This is put across through droplets hitting water in slow motion and bizarre green moons eclipsing as Paul drifts in and out of consciousness. Around all this is the film’s antagonist named Baron Vladimir Harkonnen (McMillan) a fat, flying, oozing, spitting, bumbling character with a severe case of acne – it may be many-a millennium into the future but facial cleansing, it would appear, still manages to elude certain people. The good Baron dresses in dark, rubber outfits and gazes at Feyd Rautha who is, bizarrely enough, played by musician Sting.
I read that in recent years Lynch himself has dis-owned Dune, something that I guess isn’t surprising given his style and legacy that has evolved since 1984. After all, it’s not as if David Lynch has become renowned with large scale genre pieces that rely on the visual over all else and contain a large scale battle scene here and there. It’s not like he’s become the sort who uses the mise-en-scene to assault our senses and force us to turn away rather than engross us and bring us into this dream-like picture he’s created. Still, it could’ve been worse: at least Lynch didn’t cast himself in the role of the saviour/visionary/leader whom acts as certain sections’ second coming’ and leads everyone to glorious victory. That really would’ve entrenched the film in the realm of the unwatchable.

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